[{"data":1,"prerenderedAt":21},["ShallowReactive",2],{"pub-archive-china-essay-overseas-edition":3},[4],{"id":5,"timeStamp":6,"permaLink":7,"coverFilename":8,"aspectRatio":9,"publicationDate":10,"hasStory":11,"storyTitle":12,"storyLinkPage":13,"storyLinkKey":14,"storyDescription":15,"countrySlug":16,"countryName":17,"publicationName":18,"publicationSlug":19,"status":20},3470305,"2026-05-11 16:45:26","https://www.pressreader.com/china/essay-overseas-edition/20260401","2026/04/01/china-essay-overseas-edition",0.7213114754098361,"2026-04-01 00:00:00",1,"从来没有过“那夜似的好戏”",6,"281556592419628","我在图书馆的阅览室里尝试完成此文。图书馆的旁边，有一座城市公园，那里每天都有各种各样的文体活动在进行，它们大多是健身与娱乐合一的游园活动。 其中，一位吹奏竹笛的专业演员的出场， 每每引发热潮。 清脆的笛声，让很多上了年纪的人在熟悉的旋律里感受到怀旧的温暖，也说不定在年少者心里种下民族音乐美妙旋律的种子。而我由此联想到的，是鲁迅小说《社戏》里的情境。《社戏》回忆了叙述者“我”的三次看戏经历，然而从接受和评价的角度讲，小说中的“我” 究竟有多少观剧的欣喜表达呢？依我看只有一处：“而且似乎听到歌吹了。...","china","China","Essay Overseas Edition","essay-overseas-edition","alive",1778505143481]